https://www.doriangallery.com/margaret-preston daily 0.75 2021-09-18 https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140525109-IAYBS6OTGQ1RK5UE132J/Preston_M_Scan_01+copy+fr+2.jpg Preston, Margaret - Banksia in Jug, 1952 SOLD Superb hand painted ink and gouache wildflower painting on thick paper, in the style of renowned Australian still life artist Margaret Preston. Ready to frame and enjoy. Dimensions: 33 X 26 cm artwork (42 x 29.5 cm sheet size) Condition: Excellent, some toning or browning to paper, see images. About: Margaret Rose Preston (1875 – 1963) was an Australian painter and printmaker who is regarded as one of Australia's leading modernists of the early 20th century. In her quest to foster an Australian "national art", she was also one of the first non-Indigenous Australian artists to use Aboriginal motifs in her work. A retrospective at the National Gallery of Australia, Margaret Preston, Australian printmaker, (Dec 2004 to Apr 2005), presented some of the gallery's large collection of etchings, woodcuts, masonite cuts, monotypes and stencils by the artist. Other galleries that hold collections of her work include the Queensland Art Gallery, the Tasmanian Museum and Art Gallery, the Art Gallery of South Australia, and the National Gallery of Victoria. In 2012, several works by Preston were included by curator Carolyn Christov-Bakargiev in documenta (13), Kassel, Germany – Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140525109-IAYBS6OTGQ1RK5UE132J/Preston_M_Scan_01+copy+fr+2.jpg Preston, Margaret - Banksia in Jug, 1952 SOLD Superb hand painted ink and gouache wildflower painting on thick paper, in the style of renowned Australian still life artist Margaret Preston. Ready to frame and enjoy. Dimensions: 33 X 26 cm artwork (42 x 29.5 cm sheet size) Condition: Excellent, some toning or browning to paper, see images. About: Margaret Rose Preston (1875 – 1963) was an Australian painter and printmaker who is regarded as one of Australia's leading modernists of the early 20th century. In her quest to foster an Australian "national art", she was also one of the first non-Indigenous Australian artists to use Aboriginal motifs in her work. A retrospective at the National Gallery of Australia, Margaret Preston, Australian printmaker, (Dec 2004 to Apr 2005), presented some of the gallery's large collection of etchings, woodcuts, masonite cuts, monotypes and stencils by the artist. Other galleries that hold collections of her work include the Queensland Art Gallery, the Tasmanian Museum and Art Gallery, the Art Gallery of South Australia, and the National Gallery of Victoria. In 2012, several works by Preston were included by curator Carolyn Christov-Bakargiev in documenta (13), Kassel, Germany – Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1631261637658-P6B14QWZ76UJJ7W1T2BI/s-l1600-2.jpg Preston, Margaret - Margaret Preston: Banksia and trunk, 1935 SOLD Australian Wildflower Painting after Margaret Preston (1875-1963) On offer is a superb hand painted ink wildflower painting on thick paper, in the style of renowned Australian artist Margaret Preston. Initialled inside painting M.P. bottom right. Excellent condition slight toning almost no spotting. Ready to frame and enjoy. Dimensions: 28 x 28 cm approx artwork (42 x 29.5 cm full sheet size) Condition: Excellent, some toning or browning to paper, little spotting. See images. About: Margaret Rose Preston (1875 – 1963) was an Australian painter and printmaker who is regarded as one of Australia's leading modernists of the early 20th century. In her quest to foster an Australian "national art", she was also one of the first non-Indigenous Australian artists to use Aboriginal motifs in her work. A retrospective at the National Gallery of Australia, Margaret Preston, Australian printmaker, (Dec 2004 to Apr 2005), presented some of the gallery's large collection of etchings, woodcuts, masonite cuts, monotypes and stencils by the artist. Other galleries that hold collections of her work include the Queensland Art Gallery, the Tasmanian Museum and Art Gallery, the Art Gallery of South Australia, and the National Gallery of Victoria. In 2012, several works by Preston were included by curator Carolyn Christov-Bakargiev in documenta (13), Kassel, Germany – Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629360056627-M9Y79UDUZ7XW9XIEI48I/Tom_frame_1.jpg Preston, Margaret - Gum Blossoms, 1928 Australian Wildflower Painting after Margaret Preston (1875-1963) SOLD On offer is a superb hand-painted ink and gouache wildflower painting on thick paper, in the style of renowned Australian artist Margaret Preston. Initialled inside painting M.P. bottom left. Excellent condition slight toning almost no spotting. Ready to frame and enjoy. Dimensions: 28 x 27 cm artwork (42 x 29.5 cm full sheet size) Condition: Excellent, some toning or browning to paper, little spotting. See images. About: Margaret Rose Preston (1875 – 1963) was an Australian painter and printmaker who is regarded as one of Australia's leading modernists of the early 20th century. In her quest to foster an Australian "national art", she was also one of the first non-Indigenous Australian artists to use Aboriginal motifs in her work. A retrospective at the National Gallery of Australia, Margaret Preston, Australian printmaker, (Dec 2004 to Apr 2005), presented some of the gallery's large collection of etchings, woodcuts, masonite cuts, monotypes and stencils by the artist. Other galleries that hold collections of her work include the Queensland Art Gallery, the Tasmanian Museum and Art Gallery, the Art Gallery of South Australia, and the National Gallery of Victoria. In 2012, several works by Preston were included by curator Carolyn Christov-Bakargiev in documenta (13), Kassel, Germany – Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629360055087-0YPBZHCMWP4280TIXVB1/Tom_frame_3.jpg Preston, Margaret https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629360054669-RC5UN1ZENWX8493MCY9W/Tom_frame_4.jpg Preston, Margaret https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629360053148-F87AQ83TC9TD9M20C0RI/Tom_frame_6.jpg Preston, Margaret https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140523876-DAVH6QFS0VPR9BSV2J5P/Preston_M_Scan_+06+copy.jpg Preston, Margaret - Australian Wildflowers, 1923 Superb hand painted ink and gouache wildflower painting on thick paper, in the style of renowned Australian still life artist Margaret Preston. Ready to frame and enjoy. Dimensions: 42 x 29.5 cm. Condition: Excellent, some toning or browning to paper, see images. About: Margaret Rose Preston (1875 – 1963) was an Australian painter and printmaker who is regarded as one of Australia's leading modernists of the early 20th century. In her quest to foster an Australian "national art", she was also one of the first non-Indigenous Australian artists to use Aboriginal motifs in her work. A retrospective at the National Gallery of Australia, Margaret Preston, Australian printmaker, (Dec 2004 to Apr 2005), presented some of the gallery's large collection of etchings, woodcuts, masonite cuts, monotypes and stencils by the artist. Other galleries that hold collections of her work include the Queensland Art Gallery, the Tasmanian Museum and Art Gallery, the Art Gallery of South Australia, and the National Gallery of Victoria. In 2012, several works by Preston were included by curator Carolyn Christov-Bakargiev in documenta (13), Kassel, Germany – Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140457371-4UYT9ZMQ61SKAIRIKYJF/Preston_M_Scan_+04+copy+fr.jpg Preston, Margaret - Protea, 1925 Superb hand painted ink and gouache wildflower painting on thick paper, in the style of renowned Australian still life artist Margaret Preston. Ready to frame and enjoy. Dimensions: 30 x 29.5 cm artwork (42 x 29.5 xm sheet size) Condition: Excellent, some toning or browning to paper, see images. About: Margaret Rose Preston (1875 – 1963) was an Australian painter and printmaker who is regarded as one of Australia's leading modernists of the early 20th century. In her quest to foster an Australian "national art", she was also one of the first non-Indigenous Australian artists to use Aboriginal motifs in her work. A retrospective at the National Gallery of Australia, Margaret Preston, Australian printmaker, (Dec 2004 to Apr 2005), presented some of the gallery's large collection of etchings, woodcuts, masonite cuts, monotypes and stencils by the artist. Other galleries that hold collections of her work include the Queensland Art Gallery, the Tasmanian Museum and Art Gallery, the Art Gallery of South Australia, and the National Gallery of Victoria. In 2012, several works by Preston were included by curator Carolyn Christov-Bakargiev in documenta (13), Kassel, Germany – Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140514065-0UYHYC5K4XUI1HGH7Q0C/%24_57-5.jpg Preston, Margaret - Australian Flowers, 1927 Superb hand-painted ink and gouache wildflower painting on thick paper, in the style of renowned Australian still life artist Margaret Preston. Ready to frame and enjoy. Dimensions: 29.5 x 29.5 cm artwork (41 x 29.5 cm sheet size) Condition: Excellent, some toning or browning to paper, see images. About: Margaret Rose Preston (1875 – 1963) was an Australian painter and printmaker who is regarded as one of Australia's leading modernists of the early 20th century. In her quest to foster an Australian "national art", she was also one of the first non-Indigenous Australian artists to use Aboriginal motifs in her work. A retrospective at the National Gallery of Australia, Margaret Preston, Australian printmaker, (Dec 2004 to Apr 2005), presented some of the gallery's large collection of etchings, woodcuts, masonite cuts, monotypes and stencils by the artist. Other galleries that hold collections of her work include the Queensland Art Gallery, the Tasmanian Museum and Art Gallery, the Art Gallery of South Australia, and the National Gallery of Victoria. In 2012, several works by Preston were included by curator Carolyn Christov-Bakargiev in documenta (13), Kassel, Germany – Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629360053329-A2TKRM8RLGGO76ZHXJND/Tom_frame_5.jpg Preston, Margaret https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140522734-6YXCEJ677T5YVPB476HQ/Preston_M_Scan_+05+copy+fr.jpg Preston, Margaret - Native Flowers, 1949 Superb hand painted ink and gouache wildflower painting on thick paper, in the style of renowned Australian still life artist Margaret Preston. Ready to frame and enjoy. Dimensions: 28 x 29 cm artwork (42 x 29.5 cm sheet size) Condition: Excellent, some toning or browning to paper, see images. About: Margaret Rose Preston (1875 – 1963) was an Australian painter and printmaker who is regarded as one of Australia's leading modernists of the early 20th century. In her quest to foster an Australian "national art", she was also one of the first non-Indigenous Australian artists to use Aboriginal motifs in her work. A retrospective at the National Gallery of Australia, Margaret Preston, Australian printmaker, (Dec 2004 to Apr 2005), presented some of the gallery's large collection of etchings, woodcuts, masonite cuts, monotypes and stencils by the artist. Other galleries that hold collections of her work include the Queensland Art Gallery, the Tasmanian Museum and Art Gallery, the Art Gallery of South Australia, and the National Gallery of Victoria. In 2012, several works by Preston were included by curator Carolyn Christov-Bakargiev in documenta (13), Kassel, Germany – Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140517481-PEUYBANV7OUKVGRKT88E/Preston_M_Scan_+02+copy+fr.jpg Preston, Margaret - Flowers in Jug, 1929 SOLD Superb ink and gouache wildflower painting on thick paper, in the style of renowned Australian still life artist Margaret Preston. Ready to frame and enjoy. Dimensions: 39 x 29.5 cm artwork (42 x 29.5 cm sheet size) Condition: Excellent, some toning or browning to paper, see images. About: Margaret Rose Preston (1875 – 1963) was an Australian painter and printmaker who is regarded as one of Australia's leading modernists of the early 20th century. In her quest to foster an Australian "national art", she was also one of the first non-Indigenous Australian artists to use Aboriginal motifs in her work. A retrospective at the National Gallery of Australia, Margaret Preston, Australian printmaker, (Dec 2004 to Apr 2005), presented some of the gallery's large collection of etchings, woodcuts, masonite cuts, monotypes and stencils by the artist. Other galleries that hold collections of her work include the Queensland Art Gallery, the Tasmanian Museum and Art Gallery, the Art Gallery of South Australia, and the National Gallery of Victoria. In 2012, several works by Preston were included by curator Carolyn Christov-Bakargiev in documenta (13), Kassel, Germany – Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1631948586681-5WVDIAD77BV37E8OGIWP/Preston_frame_1+copy.jpg Preston, Margaret https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1631948586874-0YZ6QTLL6Z9MA0KMLY91/Preston_frame_2+copy.jpg Preston, Margaret https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1631948587421-1JD28LR2SN8AWFRXDUGW/Preston_frame_3+copy.jpg Preston, Margaret https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1631948588005-F0N58933FCVMX98Z3GOW/Preston_frame_4+copy.jpg Preston, Margaret https://www.doriangallery.com/other-available-works daily 0.75 2023-04-16 https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629450370859-7GJ3K1OY4IO16PFTWVM8/Dufy_Framedx+copy+2.jpg Other Works - after Raoul Dufy: Paris Cafe Ink Sketch Paris Ink Sketch after Raoul Dufy SOLD Lovely large cityscape ink sketch in the style of Dufy, of a Parisian street scene with strollers and cafe. Excellent condition, slight page toning. Stamped Galerie Mathias Fels on back. Frame not included. Dimensions: 42 x 29.5 cm. About: Raoul Dufy (French:1877 – 1953) was a French Fauvist painter, brother of Jean Dufy. He developed a colorful, decorative style that became fashionable for designs of ceramics and textiles, as well as decorative schemes for public buildings. He is noted for scenes of open-air social events. He was also a draftsman, printmaker, book illustrator, scenic designer, a designer of furniture, and a planner of public spaces. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629450370859-7GJ3K1OY4IO16PFTWVM8/Dufy_Framedx+copy+2.jpg Other Works - after Raoul Dufy: Paris Cafe Ink Sketch Paris Ink Sketch after Raoul Dufy SOLD Lovely large cityscape ink sketch in the style of Dufy, of a Parisian street scene with strollers and cafe. Excellent condition, slight page toning. Stamped Galerie Mathias Fels on back. Frame not included. Dimensions: 42 x 29.5 cm. About: Raoul Dufy (French:1877 – 1953) was a French Fauvist painter, brother of Jean Dufy. He developed a colorful, decorative style that became fashionable for designs of ceramics and textiles, as well as decorative schemes for public buildings. He is noted for scenes of open-air social events. He was also a draftsman, printmaker, book illustrator, scenic designer, a designer of furniture, and a planner of public spaces. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142347566-AD33LGAQKJ238VL60XXF/Kitchenr+Scan+framed.jpg Other Works SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143512868-BCYXN3MI5P49GNRVFZBA/s-l1600-15_barye.jpg Other Works . SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143590021-TC1CHI8ZQGUC3TMFF8KO/William_Nicholson_.jpg Other Works https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629508204274-5401B8T7F6ADG2TJPWXF/IMG_5654.jpeg Other Works - Pompeo Batoni: Abduction of Persephone or Proserpina by Hades Italian Old Master Mythological Painting SOLD Abduction of Persephone or Proserpina by Hades This is a stunning Italian 18th, or later 19th century oil painting of a mythological scene by, after or circle of Batoni. Fantastic painting with very interesting mythological motifs. This painting requires further research. Very old engraved brass plate on bottom of the frame. 'Pompeo Batoni'. Difficult to photograph but we have done our best. Provernance: Aristocratic collection, estate, Bavaria Germany. Engraved brass plate on bottom of the frame. 'Pompeo Batoni', no labels or notes on rear. Condition: Canvas has been re-lined at some point due to a centre left vertical tear, this repair is old and the canvas is lifting off slightly. Not very noticeable unless strong light is coming from the side. Very small amount of tony chipping/flaking in a couple of places, but the paint layer is generally stable. Overall this painting could use a conservators clean and restoration but currently looks great as is. Victorian gilt composite frame is in great condition with a few minor chips and scratches. Dimensions: Measurements without frame.Width: 65cm, Height: 51cm (H 60 cm x W 75 cm x D 2 cm) Measurements with frame:Width: 75cm, Height: 60cm (H 23.63 in. x W 29.53 in. x D 0.79 in.) Please note that additional shipping charges may be required, customs fess are responsibility of the purchaser. Subject: "Hades fell in love with Persephone and decided to kidnap her. The myth says that in one of the rare times he left the Underworld, he traveled above ground to pursue her, while she was gathering flowers in a field. ... Persephone slipped beneath the Earth and Hades stole her to the Underworld where he made her his wife." In Greek mythology, Persephone, (also called Kore "the maiden"), is the daughter of Zeus and Demeter. The story goes that the lovely young girl Persephone is gathering flowers in a field along with Artemis and Pallas, daughter of Triton. Hades, King of the Underworld, sees Persephone and falls in love with her. It is said that Zeus permits Hades to abduct her as her mother Demeter is unlikely to approve of such a union. Bursting through a cleft in the earth, Hades abducts her and carries her away to the Underworld.Demeter, learning that her daughter has disappeared, searches for her all over the earth. Unable to find Persephone, Demeter sinks into profound despair, causing her to neglect the earth so that nothing may grow. Helios, the sun, eventually tells Demeter what has happened and Zeus, pressed by the cries of the hungry people and by the other deities who also heard their anguish, forces Hades to return Persephone. Hades complies, but first, he tricks her by giving her some pomegranate seeds to eat.Persephone is released by Hermes, who has been sent to retrieve her, but because she has tasted food in the underworld, she is obliged to spend a third of each year (the winter months) there, and the remaining part of the year with the gods above. (With the later writers Ovid and Hyginus, Persephone's time in the underworld becomes half the year.) During her time in the Underworld, Persephone grows from a young girl to a wise woman, evolving into the role of Hecate, Queen of the Underworld, a formidable, venerable, majestic queen who carries into effect the curses of men upon the souls of the dead. Artist:Pompeo Girolamo Batoni (1708 – 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs.In addition to art-loving nobility, Batoni's subjects included the kings and queens of Poland, Portugal and Prussia, the Holy Roman Emperors Joseph II and Leopold II (a fact which earned him noble dignity), as well the popes Benedict XIV, Clement XIII and Pius VI, Elector Karl Theodor of Bavaria, and many more. He also received numerous orders for altarpieces for churches in Italy (Rome, Brescia, Lucca, Parma, etc.), as well as for mythological and allegorical subjects. Batoni's style took inspiration and incorporated elements of classical antiquity, French Rococo, Bolognese classicism, and the work of artists such as Nicolas Poussin, Claude Lorrain, and especially Raphael. As such Pompeo Batoni is considered a precursor of Neoclassicism. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143592138-UY9W55JXTWB4MG4UB41D/Carroll_exlib.jpg Other Works https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143865688-LA8ZB5AJQ599TTQUTDMF/Gaguin+4707.jpg Other Works - Paul Gauguin, Reclining Nude Vintage Paul Gauguin Style Drawing . SOLD Reclining Nude Edge toning and yellowing to paper, appears to be pencil. No provenance. Dimensions: 29.5 cm x 42 cm (approx 12 x 16") frame and mat not included. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143863723-Y1AIJCDC1VX19OZUDUL6/Freud-Exlibris_framed.jpg Other Works https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143865866-KTRUXIL4BCTBV0ZYD7UY/pascin+satyr+13237067_1_x.jpg Other Works - after Jules Pascin (1885-1930) Erotic Classical Drawing Modern Nude Sketch Drawing after Jules Pascin (1885-1930) SOLD Description: Striking and erotic early 20th-century French modernist pencil sketch, in the style of Jules Pascin of a youth and a greek or roman Satyr or Faun together. Dimensions: Unframed, 15 x 21 cm, A5 (8 x 6") cream laid paper with no watermark. Would fit in an A5 window mount. Frame not included. Condition: No stains or tears to the front, but very slightly spotted see pictures. Artist: Julius Mordecai Pincas, known as Pascin, Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women, depicted in casual poses, usually nude or partly dressed. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151877262-R8AG5DGRBBQUU9R4H04Q/s-l1600+copy+4+horses.jpg Other Works SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143871811-Y7YTSSEUO21A0RORCJI8/Skull+framed-l1600-15.jpg Other Works SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628388540186-ID86HUSFDQ8BYSO19HX6/s-l1600-8.jpg Other Works https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143871797-UY1EPCIPVMWWRRF4J4VZ/Tauzin+2+A08021.jpg Other Works https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143874813-DHZ27WIG5XNTREMMS1CO/Tauzin+A08021.jpg Other Works https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628144291487-7JC4UDIUKNLLMKKIBB52/IMG_1080.jpg Other Works - Hammershoi . SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628403997367-U5QS5746JVVE5SG3PUA1/Picasso+BW_27.jpg Other Works https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628144373195-ZHCH4L7RZEFT2FH20EIA/Mondigliani_herm.jpg Other Works - after Amedeo Modigliani (1881-1973) Hermaphrodite French Modernist Drawing after Amedeo Modigliani (1881-1973) SOLD Fine modernist drawing in pencil after Modigliani of a mythological hermaphrodite figure. Bought in France ten years ago, part of a portfolio lot. Description: Sheet measurements 41 x 29.5 cm, (approx 16" x 12") on cream art paper, no watermark. Frame not included. Condition: Excellent. As pictured, refer to images, generally great condition. No provenance, sold as is, Sold unframed, About: Amedeo Clemente Modigliani (12 July 1884 – 24 January 1920) was an Italian Jewish painter and sculptor who worked mainly in France. He is known for portraits and nudes in a modern style characterized by a surreal elongation of faces, necks, and figures that were not received well during his lifetime, but later became much sought-after. Modigliani spent his youth in Italy, where he studied the art of antiquity and the Renaissance. In 1906, he moved to Paris, where he came into contact with such artists as Pablo Picasso and Constantin Brâncuși. By 1912 Modigliani was exhibiting highly stylized sculptures with Cubists of the Section d'Or group at the Salon d'Automne. Modigliani's oeuvre includes paintings and drawings. From 1909 to 1914, he devoted himself mainly to sculpture. His main subject was portraits and full figures, both in the images and in the sculptures. Modigliani had little success while alive, but after his death achieved great popularity. He died of tubercular meningitis, at the age of 35, in Paris. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151814410-HDY6RXPBLK94TOOV2WHV/IMG_2253.JPG Other Works - Vermeer SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151834893-HN3MHWSA9F9HQIRZQK3Y/IMG_6007.jpg Other Works SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151818690-N2Z63WCKO1ABT7Z32K1C/nude8+2.jpg Other Works . SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628397873933-U5V3P2T1P7KZRJ1BU85E/il_1140xN.2400736149_94h1.jpg Other Works https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151824389-O9M9Q1DYRT2QTR5Z5JM8/b56fa699d8d8.jpg Other Works SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628397872301-JN9LCHY4AN6YU4IGOPDF/il_1140xN.2353155790_37pd.jpg Other Works SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152180489-PG4B6TFM72CZMU5GBAYO/13237067_1_x.jpg Other Works https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151876664-JMSNZYMXEAUM6IF1AV8L/s-l1600+copy+4.jpg Other Works - Paul Pascin . SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151880726-AUY0PKKN5RC4ZEMJHND3/s-l1600+copy+42.jpg Other Works - Paul Pascin . SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628397871794-Y8RHMEETU351K66SEQZR/il_1140xN.2346496491_gprq.jpg Other Works https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628397869298-9NN1MYNLTONQLXA2BSEM/il_1140xN.2346494035_lwv2.jpg Other Works https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628397869478-DOJN8HX7KJ0GEI22PRJ7/il_1140xN.2298890236_fxp0.jpg Other Works https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151838507-2DU6NAX7VOKYBD1JJ1FE/IMG_6753.jpg Other Works - Male Sodomy . SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629077349670-O9TTMMDNDRJ53M6MZ40K/s-l1600.jpeg Other Works - Francois Claver "MOULIN ROUGE' (Red Windmill) Francois Claver French (1918 - 1961) "MOULIN ROUGE' (Red Windmill) SOLD Charming late impressionist style lithograph or the famous Moulin Rouge nightclub in Paris's Montmartre. Condition: Little or no fading to print, coupleof edge chips to frame, surface is painted so could be freshened up to suit your decor. Measurements: Print 50 x 58 cm, (20" x 23") Framed 56 x 66 cm, (22" x 26" x 2") About: Francois Claver was a French painter who was born in 1918. Francois Claver's work has been offered at auction multiple times, with realized prices ranging from $291 USD to $1,063 USD, depending on the size and medium of the artwork. Since 2012 the record price for this artist at auction is $1,063 USD for Le Moulin Rouge, Paris, sold at Hindman, Chicago in 2012. The artist died in the Circa 1961. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629077575381-J7UD7LPQD3N0I49GFCG3/s-l1600.jpeg Other Works - Margel Hinder, Nude Female Modernist Nude Ebony Sculpture SOLD This is a stunning modernist, cubist, or art deco style sculpture of a nude lady or Venus in solid hand-carved ebony. For research. Unsigned that I can see, brown felt pad on the base, by or after Australian Margel Hinder (img), or even french François-Léon Sicard, or Erwin Kormendi-Frim (inc image). Condition: Beautiful satin patina, could be oiled or waxed if you prefer more shine, I have only cleaned with a damp cloth. Small closed crack at one breast, base - see the image. 35 cm tall, 8.5 cm wide, 6cm deep. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629078342259-K3UK601VFND50QXSYLD6/s-l1600.jpeg Other Works - German Neo-Expressionist Oil Painting #2 SOLD Painting of nude and erotic male figures. Gay interest. German 1980's neo-expressionism style. Oil on canvas on stretcher, slim profile stretcher in need of framing. Dimensions: Each is 16" x 12". (41 x 30.5 cm) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629078349019-VCNNCDSDGIJ3VZTG8GXP/s-l1600+2.jpeg Other Works - German Neo-Expressionist Oil Painting #1 SOLD Painting of nude and erotic male figures. Gay interest. German 1980's neo-expressionism style. Oil on canvas on stretcher, slim profile stretcher in need of framing. Dimensions: Each is 16" x 12". (41 x 30.5 cm) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629078522014-B1FECUD82KLD6L82WEKV/s-l1600.jpeg Other Works - Édouard Antoine Naudin (1853-1939) Male nude, from rear. SOLD Academic Study: Male Nude From Rear after Édouard Antoine Naudin (1853-1939) Male nude, from rear. Description: On offer is a vintage European early 19th academic style painting, of a seated nude male figure painted in oils. Medium: Oil on canvas with gilt frame, masonite backing. The beautiful frame has an Italian mid century looking sticker on the back. Dimensions: Canvas 12 x 16" (41 x 31 cm) Frame: 20.4 x 16.2" (52 x 41.5 cm) Condition: Excellent. No evidence of losses, damage, or repairs. Frame has a few minor tiny dings and scratches but overall also excellent. Provenance: Private collection. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629079633029-JLG71A2DVDNCQTA9IEAO/s-l1600.jpeg Other Works - after Nicolas Lancret (1690-1743) Male Nude French Old Master Sanguine Drawing after Nicolas Lancret (1690-1743) . SOLD Description: Sheet measurements 21 x 18 cm, (approx 8" x 7") on cream laid wove art paper, no watermark. Frame not included. Condition: Excellent. As pictured, refer to images, generally great condition. No provenance, sold as is, Sold unframed, https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629079719020-X0KK37G1O5I7UGA69OA8/s-l1600.jpeg Other Works - Louis Surugue de Surgis (1686-1762) after Nicolas Poussin. The Adoration Of The The Golden Calf The Adoration Of The The Golden Calf after Nicolas Poussin. Edition c.1740 . Engraved by Louis Surugue de Surgis (1686-1762) SOLD This rare and powerful 18th century engraving with a biblical subject is executed after an original by the great French Baroque painter Nicolas Poussin (1594-1665 ). Now in the National Gallery, London. (see last image) Reversed a per usual. for early engravings. The inspiration is the book of Exodus, chapter 32 (KJV), verse 19. Moses has come down from Sinai with the tablets of the Law in his hands (portrayed in this image, upper right). He discovers the Jews turned to idolatry, dancing before a golden calf:"19 And it came to pass, as soon as he came nigh unto the camp, that he saw the calf,and the dancing: and Moses' anger waxed hot, and he cast the tables out of his hands, and brake them beneath the mount." Artist: The name of Poussin is to be found lower left. To the right, we read, "Finished by Surugue". This is Louis Surugue de Surgis (1686-1762), an eminent engraver of the day, listed in the Bénézit and other standard reference works. Condition: Damage and wear are consistent with age. Numerous small stains, three corners have been repaired, one crease top left. See pictures. Measurements: Print: 27 x 34 cm (10'6 13'2") Framed: 48 x 56 cm (18'8 x 22") https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629088903489-XU5EELSV25N0R5SMLOO3/s-l1600.jpeg Other Works - after Jean-Baptiste-Camille Corot (1796–1875) Landscape Romantic French Landscape Drawing after Jean-Baptiste-Camille Corot (1796–1875) SOLD Fine small French landscape sketch after Corot, Bought in France ten years ago, part of a portfolio lot. A work of serenity, it is an emblem of lyrical and poetic assimilation of the artist's world. Sold unframed, sheet measurements 18.75 x 11.75 cm, cream laid paper with a stamp but no watermark. Condition as pictured, great condition. No provenance, sold as is, and in line with eBay's requirements. Jean-Baptiste-Camille Corot (1796 – 1875) was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. He was also a tireless traveller and, throughout his travels, he made numerous oil painting drafts in which he captured the immediacy of light and atmosphere, while still working on his studio paintings. https://www.doriangallery.com/jean-cocteau daily 0.75 2021-09-10 https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629362450019-AER9ZE2F3YXKH9I7YACH/cocteau-57137+copy+3.jpg Cocteau, Jean - Marin /Sailor French Erotic Surrealist Drawing after Jean Cocteau (1889-1963) Fine french erotic surrealist line drawing in blue pencil after Jean Cocteau of French sailor figure posing. The artist has such a beautiful insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as-is. Sold unframed, sheet measurements 29.5 x 42 cm, (12 x 16.6) thick art paper with a stamp, but no watermark. Condition as pictured, generally great condition. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629362450019-AER9ZE2F3YXKH9I7YACH/cocteau-57137+copy+3.jpg Cocteau, Jean - Marin /Sailor French Erotic Surrealist Drawing after Jean Cocteau (1889-1963) Fine french erotic surrealist line drawing in blue pencil after Jean Cocteau of French sailor figure posing. The artist has such a beautiful insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as-is. Sold unframed, sheet measurements 29.5 x 42 cm, (12 x 16.6) thick art paper with a stamp, but no watermark. Condition as pictured, generally great condition. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141865399-GFXSH4AKY4NMEBP3BJ1G/Cocteau_fr_allegorie+de+espagne.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140864075-KKT7R6WSPHE6H6VBEX3Y/Cocteau_Scan__FR.jpg Cocteau, Jean - Hermes Fine twentieth century french modernist mythological style drawing in pencil after Jean Cocteau of a couple of two figures in profile. The artist has such a beautiful feeling and insight into the male form and sensual desire. Bought in France ten years ago, part of a portfolio lot. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick 220 gsm art paper with a stamp but no watermark. Would fit a standard A4 matt/mount window. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. No provenance, sold as-is. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141862807-E40B2YMKAXMKG2GRQ5VJ/Cocteau_fr_06.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140864053-HEIZ895SICHETQQQMFI3/Cocteau_Scan_+22_FR.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140865121-0ZMEYWCPS3EGMH3W00XH/Cocteau_Scan_+21.jpeg_FR.jpg Cocteau, Jean - Marins / Sailors SOLD Fine surrealist line drawing in pencil after Jean Cocteau of a pair male figures. The artist has such a beautiful feeling and insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 21 x 29.5 cm, (12 x 8) thick 220 gsm art paper with a stamp, no watermark. Condition as pictured, some yellowing/toning to paper. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140865853-790P4PSOYYHTJUBUOI14/Cocteau_Scan_+20_FR.jpg Cocteau, Jean SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141855353-78RKDBI464Y8LQGSOOOV/Cocteau_10.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141855353-871HI9QR5S7Z1SWWMY5N/Cocteau_11.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141856602-O4MSR11X0Z6RZCB941BK/Cocteau_27.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141858444-AU5STL87EH35Q4TLIL47/Cocteau_fr_.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141860533-9JOV5EXBVV8KANA6QG3N/Cocteau_fr_02.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141864184-CN3JY0IFEMTHRXNW0FNS/Cocteau_fr_30.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141866054-BH2QC12AY2DVZ1O9EZ6G/Cocteau_fr_valley+wolves+fr.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141867741-2EBQ8EK1UH9NPMNEG1RV/Cocteau_jiss.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629076645217-L9A2N15G9WF8PQ1LQ829/s-l1600.jpeg Cocteau, Jean - Marin / Sailor SOLD Fine surrealist drawing in pencil after Jean Cocteau of a male figure of a sailor. The artist has such a beautiful feeling of the male form, gaze and sensual desire. Bought in France ten years ago, part of a portfolio lot. Sold unframed, sheet measurements 35.5 x 21 cm, (14" x 8") art paper with a stamp but no watermark. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. No provenance, sold as is. Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141867970-PKJDXX80XDNLOLAMJ3NE/Cocteau_minotaur.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141869584-1O3D2WC0NVZLEK80H5S6/cocteau-57137+08.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141870260-G6WSV837UJ42F3UIYNZO/cocteau-57137+15.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141871036-5WT7QURFV9GVDA4Z9JSG/cocteau-57137+16.jpg Cocteau, Jean - Orpheus SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141871726-NCXAHCVANEZDUIYOYQVB/cocteau-57137+17.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141872473-4MG3E7EDXCLL1B2T0FG4/cocteau-57137+18.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141874708-23C9FOCMJ5203UNN9BZC/cocteau-57137+21.jpg Cocteau, Jean - Homme, Souvenir de Jean Cocteau SOLD Fine surrealist line drawing in pencil after Jean Cocteau of a male in profile. The artist has such a beautiful feeling and insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 21 x 29.5 cm, (12 x 8) thick 220 gsm art paper with a stamp, no watermark. Condition as pictured, some yellowing/toning to paper. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141876250-LBCYSZ1UQFJ29E9GM8HD/cocteau-57137+22.jpg Cocteau, Jean - Hommes / Men Fine surrealist line drawing in pencil after Jean Cocteau of group of male figures. The artist has such a beautiful feeling and insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 21 x 29.5 cm, (12 x 8) thick 220 gsm art paper with a stamp, no watermark. Condition as pictured, some yellowing/toning to paper. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141876909-EE76IDXYUUCFJ9X7TCM1/cocteau-57137+23.jpg Cocteau, Jean - Homme Pisser / Man Pissing SOLD Fine surrealist line drawing in pencil after Jean Cocteau of a male figure urinating at a pissior. The artist has such a beautiful feeling and insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 21 x 29.5 cm, (12 x 8) thick 220 gsm art paper with a stamp, no watermark. Condition as pictured, some yellowing/toning to paper. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141877553-6R7HXTAWJZTEGJG1I97G/cocteau-57137+24.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141878296-NN7LHY8GZ7U3HYA6312N/cocteau-57137+25.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141878883-JL160094BXOQHKFCONWF/cocteau-57137+26.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141879424-TXEAWGVNDU8EZZX57J09/Cocteay+Antinous_s.jpg Cocteau, Jean - Antinoo / Antinous SOLD Fine surrealist line drawing in coloured pencil or crayon after Jean Cocteau of a male figure portrait identified as Antinous, lover of the Roman emperor Hadrian. The artist has such a beautiful insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 21 x 15 cm, (6 x 4") thick art paper with a stamp but no watermark. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142075146-FHLHF9Q74A8QPJ69HL3M/cocteau_smoking.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142075133-B5LD1DANL2PNUT7ONE1P/Cocteau_sucker.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142076288-V8UB01OX2F4Y85NNZPAA/Cocteau_sitting.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142077017-8QQLPAEQLY349NJVBTMB/Cocteau_toulon.jpg Cocteau, Jean - Toulon SOLD Fine french surrealist line drawing in pencil and gouache after Jean Cocteau of pair of young male figures at the beach. The artist has such a beautiful insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 29.5 x 42 cm, (12 x 16.6) thick art paper with a stamp, but no watermark. Would fit a standard A3 matt/mount window. Condition as pictured, generally great condition. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142077259-O0GWHYGYJUG3M7OGUZD3/cocteau-57137.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142078132-0X3TB2YE5IEXE7QLZWRR/cocteau_pout.jpg Cocteau, Jean SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142078844-95FUHR1TPPXNBHCZLE4W/cocteau_necro.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142079579-6FRYYTGFQSPF5YQWW7M2/cocteau_marina.jpg Cocteau, Jean SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142080072-XYYX4OYVYHPE0E4WULHQ/Cocteau_faun.jpg Cocteau, Jean SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142080797-PPY403MNGSVJW8NT36I0/cocteau_dickface.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142081618-ZYPBIDE9328SUOD7EKV2/Cocteau_cheval+Blanc.jpg Cocteau, Jean - Cheval Blanc / White Horse SOLD Fine french surrealist line drawing in coloured pencil after Jean Cocteau of a white horse with a jockey in the middle ground. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 29.5 x 42 cm, (12 x 16.6) thick art paper with a stamp, but no watermark. Would fit a standard A3 matt/mount window. Condition as pictured, generally great condition. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142081982-GO2XL870W7IFG9R2NCKY/cocteau_back_bacu.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142082504-25HXUSQNVSUJU9OWB3TG/Cocteau_apollo+2.jpg Cocteau, Jean - Orphee / Apollon. Orpheus (or Apollo) SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142083205-7O6NBQZUPFQ9KVEGK5OY/Cocteau+stroker.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142083710-M8QUX2KFT1AYQTA6IPUO/Cocteau+Onan.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143651653-AVB3IK15WJ7XJAYNWX2P/Cocteau_poets_.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143651444-X3UOQQ7UIM9TMWPXPKA5/Cocteau_Framed_9.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143653536-PAGFVVXVLR94I39TQW5O/Cocteau_orpheus.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143654370-NRXTHO2X0KFOW2IIJ2U3/Cocteau_bacchus.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143655860-N8X351L2ELBE0ZVKWZ97/Cocteau_bergers.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628144182947-N9IM95E32RSVOR4F77D6/Cocteau+rainbow-855x1080.jpg Cocteau, Jean - Longhaired Ephebe SOLD Fine surrealist line drawing in pencil after Jean Cocteau of a male figure with flowing coloured hair. The artist has such a beautiful insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 29.5 x 42 cm, (12 x 16" approx) thick art paper with a stamp, but no watermark. Would fit a standard A3 matt/mount window. Condition as pictured, toning depending on drawing, refer to images, generally great condition. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628144182544-KZYWPAGSWALU9I27R1U0/Cocteau_framed+sulk.jpg Cocteau, Jean - Sulking Sailor SOLD Fine surrealist line drawing in coloured pencil after Jean Cocteau of seated sulky sailor figure. The artist has such a beautiful feeling and insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick 220 gsm art paper with a stamp, no watermark. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152300396-8Q8B0F550RR5OY66E63M/Cocteau_fr_02.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152300179-1FMHAA949LQM7O0D6KEF/Cocteau_fr_04.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152304182-Q0NGRAUQHFF298JCWOH0/Cocteau_fr_05.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152304471-V4B7SBBZWEQM4N03S7C9/Cocteau_fr_08.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152307218-WQQYTUQR2UZH025NGS0V/Cocteau_fr_10.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152308183-OKIES2VY9XUGEUFFCQCG/Cocteau_fr_12.jpg Cocteau, Jean - Reclining Nude SOLD Fine french surrealist line drawing in pencil after Jean Cocteau of a pair of male figures resing. The artist has such a beautiful insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 29.5 x 42 cm, (12 x 16.6) thick art paper with a stamp, but no watermark. Would fit a standard A3 matt/mount window. Condition as pictured, generally great condition. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152310569-TJ03A7RUUITKHS1ZDKYS/Cocteau_fr_16.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152311551-PGY7ZEEV0V8YZL5EIGBH/Cocteau_fr_17.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152314136-MZDH5V3POLA0HNKGHDNW/Cocteau_fr_18.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152315097-0X0NY9CAKQ4GYS6HPQTE/Cocteau_fr_20.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152317249-BZRITPKO4OWQUI6CFOO5/Cocteau_fr_24.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152319371-BT6PTX3BAQZA5YQ9UT0M/Cocteau_fr_28.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152321256-NE3YXM24A7QTSJSP5IKB/Cocteau_fr_30.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152323220-488ZMRXH7QY9KY8VF562/Cocteau_fr_31.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152323204-IIM0XWYO0HRA7SKJ3CKP/Cocteau_fr_orgy2020.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152328475-5OSNYZ26YAAQFE9D01XG/cocteau_Framed_01.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152328692-V1HIV37AKTPP14L47W1S/Cocteau_Framed_2.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152329326-FU65QH4O3FJR7JS43PB0/Cocteau_framed_03+2.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152333633-TCZK39IGBBGIYTGEJLOP/Cocteau_Framed_03.jpg Cocteau, Jean - Onaniste / Onanist SOLD Fine surrealist line drawing in coloured pencil after Jean Cocteau of a reclining male figure in bed. The artist has such a beautiful feeling and insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick 220 gsm art paper with a stamp, no watermark. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152334535-3I9TTVZ9YJTYRFA174Y9/Cocteau_Framed_04.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152338156-B40VO9Z5VGZFFZMZ9IX3/Cocteau_Framed_05.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152339656-O0GCT7KRQ7BBUP02XOFX/Cocteau_Framed_07.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152339801-R1HCTR0554KJKO9BBBMV/Cocteau_framed_reclining_07.jpg Cocteau, Jean SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152340495-ESQY4TO8EDFSZCWSJCJ8/Cocteau_framed_sitting_05.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152340963-ISVRX1TAP5MULE6FX6PV/Cocteau_sodom_01.jpg Cocteau, Jean - Sodom SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152410426-WLZJITF5SHEGU1KX9710/320_3-855x1080+cocteau.jpg Cocteau, Jean https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629076814725-2R2GWENDGUGPZVX6DSA8/s-l1600.jpeg Cocteau, Jean - Orphee / Apollon. Orpheus (or Apollo) SOLD Fine french surrealist line drawing in pencil after Jean Cocteau of a profile or Orpheus or Apollo with female figure. The artist has such a beautiful insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 29.5 x 42 cm, (12 x 16.6) thick art paper with a stamp, but no watermark. Would fit a standard A3 matt/mount window. Condition as pictured, generally great condition. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629077180159-J9X0NMYSYTOBEEKCMOOC/s-l1600.jpeg Cocteau, Jean - "Flaneur Dandy" SOLD Fine surrealist line drawing in pencil after Jean Cocteau of a male figure as eighteenth-century Paris flaneur or dandy. The artist has such a beautiful feeling and insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 21 x 29.5 cm, (12 x 8) thick 220 gsm art paper with a stamp, no watermark. Condition as pictured, some yellowing/toning to paper. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629077733821-7FX9RKP0X0NQWQATMJGZ/s-l1600.jpeg Cocteau, Jean - Sleeping Sailor SOLD Fine surrealist line drawing in pencil after Jean Cocteau of a male figure of French Sailor in profile. The artist has such a beautiful feeling and insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 21 x 29.5 cm, (12 x 8) thick 220 gsm art paper with a stamp, no watermark. Condition as pictured, some yellowing/toning to paper. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629078107572-DH6ZFTQ1L4Z4SOWHHVJA/s-l1600.jpeg Cocteau, Jean - Ange / Angel SOLD Fine twentieth century french modernist mythological style drawing in pencil after Jean Cocteau of a male angelic figure with portrait. The artist has such a beautiful feeling and insight into the male form and sensual desire. Bought in France ten years ago, part of a portfolio lot. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick 220 gsm art paper with a stamp but no watermark. Would fit a standard A4 matt/mount window. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. No provenance, sold as-is. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629078180202-QPW36AD1V0VQB8JNDJ08/s-l1600.jpeg Cocteau, Jean - Menage SOLD Fine surrealist line drawing in pencil after Jean Cocteau of three male figures in profile. The artist has such a beautiful insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick art paper with a stamp but no watermark. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629078263949-L49V0QPCT5IRF7RXGT52/s-l1600.jpeg Cocteau, Jean - Berger, 1950 SOLD Fine surrealist line drawing in pencil after Jean Cocteau of a portrait of a male figure, possibly a sheherd. The artist has such a beautiful feeling and insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 21 x 29.5 cm, (12 x 8) thick 220 gsm art paper with a stamp, no watermark. Condition as pictured, some yellowing/toning to paper. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629078646082-S8YEEK1BK585NLI5TEPW/s-l1600.jpeg Cocteau, Jean - Homme Nu SOLD Fine surrealist erotic drawing in pencil after Jean Cocteau of a male figure portrait. The artist has such a beautiful feeling of the male form, gaze and sensual desire. Bought in France ten years ago, part of a portfolio lot. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick 220 art paper with a stamp but no watermark. Would fit an A4 matt/mount window. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. No provenance, sold as is. Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629078694653-C86UH47B2YB57INTGEEA/s-l1600.jpeg Cocteau, Jean - Kiss SOLD Fine surrealist line drawing in pencil after Jean Cocteau of a a romantic kiss. The artist has such a beautiful feeling and insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 21 x 29.5 cm, (12 x 8) thick 220 gsm art paper with a stamp, no watermark. Condition as pictured, some yellowing/toning to paper. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629078768105-9VLITGGQJBMV3RRG4URJ/s-l1600.jpeg Cocteau, Jean - Double Portrait SOLD Fine surrealist line drawing in pencil after Jean Cocteau of male figures. The artist has such a beautiful insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick art paper with a stamp but no watermark. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629078838943-OVGVGFT13VWQNWEVHP8F/s-l1600.jpeg Cocteau, Jean - Baisers / Kissing SOLD Fine surrealist line drawing in ink after Jean Cocteau of a pair male figures kissing. The artist has such a beautiful insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 21 x 14.75 cm, (8 x 6") thick art paper with a stamp but no watermark. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629079205914-34RCVCRRXAJGQ2X3OWF2/s-l1600.jpeg Cocteau, Jean - Lover SOLD Fine surrealist line drawing in pencil after Jean Cocteau of a of male lover figure. The artist has such a beautiful feeling and insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 21 x 29.5 cm, (12 x 8) thick 220 gsm art paper with a stamp, no watermark. Condition as pictured, some yellowing/toning to paper. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629080118807-2YUOS7V6E8R7HAT43FLE/s-l1600.jpeg Cocteau, Jean - Onaniste Fumer / Smoking Onanist SOLD Fine surrealist line drawing in pencil after Jean Cocteau of a male figure. The artist has such a beautiful insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick art paper with a stamp but no watermark. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629080224825-EFRMHZ41PX82PJZDWX9O/s-l1600.jpeg Cocteau, Jean - Marin Onaniste / Sailor Onanist SOLD Fine surrealist line drawing in pencil after Jean Cocteau of a figure of a sailor erect. The artist has such a beautiful feeling and insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 21 x 29.5 cm, (12 x 8) thick 220 gsm art paper with a stamp, no watermark. Condition as pictured, some yellowing/toning to paper. About: Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629080312195-6B0H2CV5F95X8OV6J7UT/s-l1600.jpeg Cocteau, Jean - Marin / Sailor SOLD Fine surrealist erotic drawing in pencil after Jean Cocteau of a male figure portrait. The artist has such a beautiful feeling of the male form, gaze and sensual desire. Bought in France ten years ago, part of a portfolio lot. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick 220 art paper with a stamp but no watermark. Would fit an A4 matt/mount window. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. No provenance, sold as is. Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629080658675-9RGUUZZN83NQ9VZT8UTJ/s-l1600.jpeg Cocteau, Jean SOLD Fine surrealist erotic drawing in pencil after Jean Cocteau of a male sailor figure performing fellatio. The artist has such a beautiful feeling of the male form, gaze and sensual desire. Bought in France ten years ago, part of a portfolio lot. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick 220 art paper with a stamp but no watermark. Would fit an A4 matt/mount window. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. No provenance, sold as is. Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629082284150-AJU3M2UMUI4DNI8KK773/s-l1600.jpeg Cocteau, Jean - Gabrielle 'Coco' Chanel SOLD Fine surrealist line drawing in portrait after Jean Cocteau of the fashion designer Gabrielle 'Coco' Chanel seated in a wing-back armchair. The artist has such a beautiful feeling of, and insight into form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick 220 gsm art paper with a stamp but no watermark. Would fit a standard A4 matt/mount window. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629089194754-ELALFC725LK491M8C4B2/s-l1600.jpeg Cocteau, Jean - Sun Kissed SOLD Fine surrealist erotic drawing in pencil after Jean Cocteau of a pair of figures in the sun. The artist has such a beautiful feeling of the male form, gaze and sensual desire. Bought in France ten years ago, part of a portfolio lot. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick 220 art paper with a stamp but no watermark. Would fit an A4 matt/mount window. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. No provenance, sold as is. Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" Postage: National, registered letter at cost, international: Flat $30 fee for registered international document airmail, additional drawings are combined at no added cost. We reuse packaging materials where possible, and items are always wrapped in acid free tissue paper in sturdy reinforced envelopes or tubes. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629089296136-P6T8RS47YGHOOSTRDJLC/s-l1600.jpeg Cocteau, Jean - Costume Design SOLD Fine surrealist line drawing in pencil after Jean Cocteau of an avant-garde figure in costume. The artist has such a beautiful insight into the male form and desire. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick art paper with a stamp but no watermark. Condition as pictured, some spotting or toning depending on drawing, refer to images, generally great condition. Jean Maurice Eugène Clément Cocteau was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel Les Enfants Terribles (1929), and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946) and Orpheus (1949). He was described as "one of [the] avant-garde's most successful and influential filmmakers" (AllMovie) https://www.doriangallery.com/jean-michel-basquait daily 0.75 2021-08-16 https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140688530-4W4PP3A098MV7RDAY008/Basquait_Scan_+4+fr.jpg Basquait, Jean Michel - Self Portrait SOLD Stunning presumed copy or homage of a drawing in pencil after Jean-Michel Basquiat. Description: Sheet measurements 27.75 x 35.5 cm, (11 x 14" approx) thick art paper, no watermark. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140688066-1ZTE6H2B2M696QY7VD4X/Basquait_Scan_+5+fr.jpg Basquait, Jean Michel - EVIL THOUGHTS "REVENGE" SOLD Stunning presumed copy or homage of a drawing in ink after Jean-Michel Basquiat. Description: Sheet measurements 35.5 x 27.75 cm, (14 x 11" approx) thick art paper, no watermark. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140693697-9PJE6O2C0AH4WYWUCFW8/Basquait_Scan_+7+fr.jpg Basquait, Jean Michel - Self Portrait SOLD Stunning presumed copy or homage of a drawing in pencil after Jean-Michel Basquiat. Description: Sheet measurements 27.75 x 35.5 cm, (11 x 14" approx) thick art paper, no watermark. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140691100-Z0T3BMDGFUDFYFG2K779/Basquait_Scan_+9+fr+copy.jpg Basquait, Jean Michel - Self Portrait / Skull SOLD Stunning presumed copy or homage of a drawing in pencil after Jean-Michel Basquiat. Description: Sheet measurements 29.5 x 42 cm, (11.5 x 16.6" approx) thick art paper, no watermark. Would fit a standard A3 matt/mount window. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140701400-1SHNF7H3Q4L79G0AUWJH/Basquait_Scan_+10+fr.jpeg Basquait, Jean Michel - Circus Elephants SOLD Stunning presumed copy or homage of a drawing in pencil after Jean-Michel Basquiat. Description: Sheet measurements 29.5 x 42 cm, (11.5 x 16.6" approx) thick art paper, no watermark. Would fit a standard A3 matt/mount window. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140703244-HRSFAGLNP35G1H4X2GSX/Basquait_Scan_+12+fr.jpg Basquait, Jean Michel - Self Portrait SOLD American Abstract Portrait Drawing after Jean-Michel Basquiat (1960-1988) Stunning presumed copy or homage of a drawing in pencil after Jean-Michel Basquiat. Description: Sheet measurements 42 cm x 42 cm, (16.6" x 11.5" approx) thick art paper, no watermark. Would fit a standard A3 matt/mount window. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140706609-YW1DKV4G58LH7M2HH81P/Basquait_Scan_+14+fr.jpg Basquait, Jean Michel - Self Portrait SOLD Stunning presumed copy or homage of a drawing in ink and pencil after Jean-Michel Basquiat. Description: Sheet measurements 42 cm x 42 cm, (16.6" x 11.5" approx) thick art paper, no watermark. Would fit a standard A3 matt/mount window. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140707314-PTFKP5R17HV2M3EFTRN4/Basquait_Scan_+16+fr.jpg Basquait, Jean Michel - Self Portrait SOLD Stunning presumed copy or homage of a drawing in pencil after Jean-Michel Basquiat. Description: Sheet measurements 42 cm x 42 cm, (16.6" x 11.5" approx) thick art paper, no watermark. Would fit a standard A3 matt/mount window. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140710133-Q0760QWQ1ACBM54KLXUO/Basquait_Scan_+25+fr.jpg Basquait, Jean Michel - Self Portrait SOLD Stunning presumed copy or homage of a drawing in pencil after Jean-Michel Basquiat. Description: Sheet measurements 35.5 x 27.75 cm, (14 x 11" approx) thick art paper, no watermark. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140711992-92OQGELNRVS6QA8TXACT/Basquait_Scan_+27+fr.jpg Basquait, Jean Michel - Self Portrait SOLD Stunning presumed copy or homage of a drawing in pencil after Jean-Michel Basquiat. Description: Sheet measurements 29.5 x 21 cm, (11.5 x 8" approx) thick art paper, no watermark. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140697707-J7YQU2Z413II7M4BDGGX/Basquait_Scan_+2_FR.jpg Basquait, Jean Michel - Self Portrait SOLD Stunning presumed copy or homage of a drawing in pencil after Jean-Michel Basquiat. Description: Sheet measurements 29.5 x 42 cm, (11.5 x 16.6" approx) thick art paper, no watermark. Would fit a standard A3 matt/mount window. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140713140-H0PWR1CURVO9H51DC96I/Basquait_Scan_+33+fr.jpeg Basquait, Jean Michel - Self Portrait SOLD Stunning presumed copy or homage of a drawing in ink and pencil after Jean-Michel Basquiat. Description: Sheet measurements 29.5 x 42 cm, (11.5 x 16.6" approx) thick art paper, no watermark. Would fit a standard A3 matt/mount window. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140716947-PE1AT77KW1M7Z1IT1O8Y/Basquait_Scan_+30+fr.jpg Basquait, Jean Michel - Self Portrait SOLD Stunning presumed copy or homage of a drawing in pencil after Jean-Michel Basquiat. Description: Sheet measurements 42 cm x 42 cm, (16.6" x 11.5" approx) thick art paper, no watermark. Would fit a standard A3 matt/mount window. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140716940-MFX51ZMK4QU4HO8JZQRV/Basquait_Scan_+28+fr.jpg Basquait, Jean Michel https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140719753-I5W8W3FOF2KWLU10Y98S/Basquait_Scan_+34+fr.jpg Basquait, Jean Michel - Demon Mask and Leg Study SOLD Stunning presumed copy or homage of a drawing in pencil after Jean-Michel Basquiat. Description: Sheet measurements 29.5 x 21 cm, (11.5 x 8" approx) thick art paper, no watermark. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628140721170-FSHOH7A6IFLR6RQPCCFE/Basquait_Scan_+35+fr.jpg Basquait, Jean Michel - Untitled, Monsters SOLD Stunning presumed copy or homage of a drawing in pencils after Jean-Michel Basquiat. Description: Sheet measurements 29.5 x 42 cm, (11.5 x 16.6" approx) thick art paper, no watermark. Would fit a standard A3 matt/mount window. Condition: Excellent. Sheet and edge toning. As pictured, refer to images, generally great condition. No provenance, sold as is, sold unframed. Please feel free to contact us regarding international postage and shipping options. About: Jean-Michel Basquiat; December 22, 1960 – August 12, 1988) was an American artist of Haitian and Puerto Rican descent. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s, where rap, punk, and street art coalesced into early hip-hop music culture. By the 1980s, his neo-expressionist paintings were being exhibited in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Basquiat's art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. Basquiat used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community of his time, as well as attacks on power structures and systems of racism. Basquiat's visual poetics were acutely political and direct in their criticism of colonialism and support for class struggle. He died of a heroin overdose at his art studio at the age of 27. On May 18, 2017, at a Sotheby's auction, a 1982 painting by Basquiat depicting a black skull with red and black rivulets (Untitled) set a new record high for any American artist at auction, selling for $110.5 million. –Wiki. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142299537-E9KGFR7VXCCCA58XHBWT/Basquait_framed+10.jpg Basquait, Jean Michel https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142299312-4ENU5JRSL4JTPQE2XDBJ/Basquait+5_framed.jpg Basquait, Jean Michel https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142301776-FH9S3EHXMCP2ZE720L4X/Basquait_framed+13.jpg Basquait, Jean Michel https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152470385-X0K4O2OYEF3YSY9U0Y45/Basquait+A3+Framed+scapula.jpg Basquait, Jean Michel https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142302500-0JK9E42R3KTMCKLMAQOR/Basquait_framed+14.jpg Basquait, Jean Michel https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142304581-98022AJIMACIU28O5I8I/Basquait_framed+16.jpg Basquait, Jean Michel https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152493201-7NCRAQMZRIOCFAR2KPKD/Basquait_shitter.jpg Basquait, Jean Michel https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142305724-27QXTAV5ILWHCNCTLW8X/Basquait_framed_3.jpg Basquait, Jean Michel https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142306860-RAO9EVEVYBWJ0GMK4J7J/Basquait_framed+12.jpg Basquait, Jean Michel https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152496149-M7J2IC52CYJOYB8ZI6DQ/Basquait+A3+Framed+smoker.jpg Basquait, Jean Michel https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152495039-ENCU1JLL7WPE9LYIOWKF/Basquait_skeleton.jpg Basquait, Jean Michel https://www.doriangallery.com/new-blog daily 0.75 2021-08-05 https://www.doriangallery.com/art daily 0.75 2021-08-05 https://www.doriangallery.com/sanyu daily 0.75 2021-11-17 https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141208186-33X7R7CGFC3E2SHSJGHZ/Sanyu_framed_02.jpg Sanyu 常玉 (1901–1966) - Still Life Sino-French Ink Drawing after Sanyu after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink and gouache or watercolour on paper drawing after Sanyu, of a floral still life. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of the sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 42 x 29.5 cm, on thick art paper, no watermark. Condition: The drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses. Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141208186-33X7R7CGFC3E2SHSJGHZ/Sanyu_framed_02.jpg Sanyu 常玉 (1901–1966) - Still Life Sino-French Ink Drawing after Sanyu after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink and gouache or watercolour on paper drawing after Sanyu, of a floral still life. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of the sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 42 x 29.5 cm, on thick art paper, no watermark. Condition: The drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses. Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141209351-HIL6ZM46XHAEQJNKRP4P/Sanyu_framed_05.jpg Sanyu 常玉 (1901–1966) - Nude Female after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink and gouache or watercolour on paper portrait drawing after Sanyu, of a nude female figure. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of the sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 29.5 x 21 cm, on thick art paper, no watermark. Condition: The drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses.& Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141208169-EY0HPGNONV6INBJCGOYB/Sanyu_framed_04.jpg Sanyu 常玉 (1901–1966) - Woman With Flower after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink and gouache or watercolour on paper portrait drawing after Sanyu, of female figure. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of the sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 29.5 x 21 cm, on thick art paper, no watermark. Condition: The drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses. Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141216622-Q7WIOVZ6IDRB1CDGY49V/Sanyu_framed_21.jpg Sanyu 常玉 (1901–1966) - Nude Portrait Sino-French Ink Drawing after Sanyu after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink and gouache or watercolour on paper drawing after Sanyu, of a nude seated female figure. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 42 x 29.5 cm, on thick art paper, no watermark. Condition: The drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses. Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141210132-8Y8TYZPEWMTW3X593J5D/Sanyu_framed_06.jpg Sanyu 常玉 (1901–1966) - Kitten or Cat Sino-French Ink Drawing after Sanyu after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink and gouache or watercolour on paper drawing after Sanyu, of a cat or kitten. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 29.5 x 21 cm, on thick art paper, no watermark. Condition: Drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses. Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141210934-QMCVMNB8FOCB565HQ8UM/Sanyu_framed_07.jpg Sanyu 常玉 (1901–1966) - Still Life SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141213521-VXO5WZEMFTZX3ZBENG1E/Sanyu_framed_12.jpg Sanyu 常玉 (1901–1966) - Nude Portrait Sino-French Ink Drawing after Sanyu after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink and gouache or watercolour on paper drawing after Sanyu, of a nude seated female figure. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 42 x 29.5 cm, on thick art paper, no watermark. Condition: The drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses. Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141211887-MKX1A3IN5X9UUGZFNS43/Sanyu_framed_08.jpg Sanyu 常玉 (1901–1966) - Seated Female Portrait Sino-French Ink Drawing after Sanyu after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink and gouache or watercolour on paper portrait drawing after Sanyu, of a seated female figure. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 42 x 29.5 cm, on thick art paper, no watermark. Condition: The drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses. Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141214305-79T1IQU74SXFUYZRB8IV/Sanyu_framed_14.jpg Sanyu 常玉 (1901–1966) - Female Nude after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink on paper portrait drawing after Sanyu, of a nude female. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of the sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 29.5 x 21 cm, on thick art paper, no watermark. Condition: The drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses. Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141212661-CF5RL5UV5YADIZJ5Z6TM/Sanyu_framed_10.jpg Sanyu 常玉 (1901–1966) - Erotic Portrair Sino-French Ink Drawing after Sanyu after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink and gouache or watercolour on paper erotic drawing after Sanyu, of a nude seated female figure. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 42 x 29.5 cm, on thick art paper, no watermark. Condition: Drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses.& Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141215692-0NDI4D01APFH9X7VX38D/Sanyu_framed_18.jpg Sanyu 常玉 (1901–1966) - Triple Portrait SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141218390-HZG74LJQFRBS2OL1WP88/Sanyu_framed_24.jpg Sanyu 常玉 (1901–1966) - Still Life after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink and gouache or watercolour on paper portrait drawing after Sanyu, of a still life. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of the sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 29.5 x 21 cm, on thick art paper, no watermark. Condition: The drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses. Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141217406-DVBXQL8KXQ87Y8QDVDH9/Sanyu_framed_23.jpg Sanyu 常玉 (1901–1966) - Leopard Sino-French Ink Drawing after Sanyu after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink and gouache or watercolour on paper drawing after Sanyu, of a leopard or cat reclining. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 42 x 29.5 cm, on thick art paper, no watermark. Condition: Drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses.& Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141215092-0MBYEGAY1QFLGDVRRYO3/Sanyu_framed_16.jpg Sanyu 常玉 (1901–1966) SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141219371-3B5HTDMYXS1QGZP7G27D/Sanyu_framed_28.jpg Sanyu 常玉 (1901–1966) - Floral Still Life Sino-French Ink Drawing after Sanyu after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. On offer is a beautiful ink and gouache or watercolour on paper drawing after Sanyu, of a floral still life composition. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 42 x 29.5 cm x 2, on thick art paper, two sheets with join, no watermark. Condition: Drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses. Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141220249-EITCV3GZE9UFBCBK7ZK4/Sanyu_framed_01.jpg Sanyu 常玉 (1901–1966) - FLoral Still Life Sino-French Ink Drawing after Sanyu after Sanyu, (Chinese: 常玉; 1901 – 1966) also called Chang Yu a Chinese Sino-French painter. SOLD On offer is a beautiful ink and gouache or watercolour on paper drawing after Sanyu, of a floral still life. San-yu was a historically significant modernist Chinese painter, the first to study in Paris and adopt western modernist principles and techniques. This item appears to be a hand made possible student copy or homage work. Has a 'Sanyu' calligraphic style stamp at bottom of sheet. We have several of these works purchased as a portfolio lot. Dimensions: Sheet size: 42 x 29.5 cm, on thick art paper, no watermark. Condition: Drawing shows some toning, please inspect images. The images are accurate, and from high resolution scans. Biography: Chang Yu was born in Nanchong, Sichuan Province, on 14th October 1901. His family owned one of the largest silk-weaving mills in Sichuan, the Dehe Silk Factory, which was managed by Sanyu's eldest brother Chang Junmin. The business was so successful that Junmin earned the accolade Millionaire Chang of Nanchong and the annals of the city of Nanchong record and applauded his accomplishments. Thirty-seven years older than Sanyu, Junmin doted on his younger brother and, recognizing his interest and talent in art, spared little to support and encourage all his artistic endeavours. The family's wealth allowed Sanyu to be schooled at home, which included calligraphy lessons with the Sichuan calligrapher Zhao Xi (1877–1938) and painting lessons with his father, known in Nanchong for his skill in painting lions and horses.& Growing up in Nanchong, approximately 300 kilometres from Chengdu, Sanyu was most probably unaffected by the discontent that was brewing in the major cities of China at this time. After the overthrow of the Qing dynasty and the founding of the Republic in 1911, China was faced with growing autocracy from within and encroaching imperialism from without. Crippled by these dual tensions, compounded by the ineffectiveness of antiquated social and political systems, China was rendered impotent, forcing many to reassess the predicament of their torn nation. The unacceptable terms of the Treaty of Versailles forced a counter-movement that gained momentum through student organizations across the country, culminating in the historic May Fourth Incident. Academicians and students led the revolt against foreign infringement of China's territorial sovereignty and rights to self-rule. They recognized that to regain their country's integrity, and China needed to strengthen itself through reform. A unified voice demanded the rejuvenation of the country through modernization, which, at that time, meant Westernization. Many resolved, therefore, to travel abroad to learn the ways of the West in order to benefit their troubled nation. As a response to this call, students travelled to France under a government-sponsored work-study program. Although it is uncertain whether Sanyu participated in this program, his decision to make France his destination in 1921 was no doubt inspired by the migrating wave of art students, such as Xu Beihong and his partner Jiang Biwei with whom Sanyu became close friends.[1] Xu and Jiang, who had arrived a year before Sanyu, were already finding life in the City of Light too costly for their meagre income and decided to move to Berlin where living was cheaper. Sanyu, with no set agenda in Paris and unfettered by financial concerns, thanks to Junmin's generous support, decided to go along with them to Berlin. During this time, Sanyu formed friendships with other Chinese artists and writers, but instead of making art, they formed a culinary club, gathering daily to plan and prepare gastronomic specialities of their hometowns and having a good time. Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. After two years in Berlin, Sanyu returned to Paris in 1923. While most of the Chinese art students aspired to enrol in the esteemed École Nationale supérieure des Beaux-Arts, Sanyu preferred the less academic environment of the Académie de la Grande Chaumière. Here, Sanyu plunged into what to him was the exotic world of nude drawing. One can imagine the excitement the young Sanyu must have felt being in a studio where nude models, forbidden at home, posed at arm's reach. In this free and uninhibited environment, he could experiment with Western sketching techniques to explore and express the lines of the human form. Sanyu's early works in Paris comprise exclusively ink and pencil drawings of nudes and figures, of which over 2000 examples survive today. Since Sanyu was trained in Chinese calligraphy in his youth, it is not surprising that a majority of his nude drawings was done in Chinese ink and brush. The trained calligraphic stroke, with its varying innuendos, afforded Sanyu a unique chance to delineate the human body, not so much in terms of its anatomy but more as a means of expressing the beauty and sensitivity of a flowing line. With only a few strokes, relying on the fluidity and innate qualities of brush and ink, he was able to capture the essence of his subject. Sanyu, along with Xu Beihong, Yan Wenliang, Lin Fengmian and Liu Haisu (collectively, the Four Great Academy Presidents) is widely known as the most prominent first-generation Chinese oil-painters who studied in France in the early 1900s. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145642909-V8QXKM5J15KRYREOMY7C/Sanyu_framed_05.jpg Sanyu 常玉 (1901–1966) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145642955-POX05COKDT7GGCICV7DP/Sanyu_framed_07.jpg Sanyu 常玉 (1901–1966) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145654697-DY44BRYRZYENXT7DODV7/Sanyu_framed_09.jpg Sanyu 常玉 (1901–1966) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145681543-TV2IZCDFHZUJ1UQM1K0V/Sanyu_framed_00.jpg Sanyu 常玉 (1901–1966) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145655597-M6VKKGO9YV2E9DBFQ41R/Sanyu_framed_12.jpg Sanyu 常玉 (1901–1966) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145681559-P3T7XJGEJ6K34TT63DYN/Sanyu_framed_17.jpg Sanyu 常玉 (1901–1966) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145667671-Y6PO1RLWE0D5QJFQSZJ3/Sanyu_framed_13.jpg Sanyu 常玉 (1901–1966) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145694189-R65A6YS3T64JXVWA67EE/Sanyu_framed_01.jpg Sanyu 常玉 (1901–1966) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145668438-J82JYBXBZ4JX6M79F3QF/Sanyu_framed_15.jpg Sanyu 常玉 (1901–1966) https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145692085-2T2Q6WO7S7EBZWA6O6M0/Sanyu_framed_04.jpg Sanyu 常玉 (1901–1966) https://www.doriangallery.com/egon-schiele daily 0.75 2021-08-05 https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141755256-ENPGJ3HBU8B6VWGG7ARY/Egon_Schiele_boy.jpg Schiele, Egon https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628144231843-6TRD89BFURGRTFSRVMZZ/Egon_Schiele-Ausstellung-8.jpg Schiele, Egon https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628141959471-9G7LRDVRQGP18CLZ17GY/Egon_Schiele-Ausstellung-8.jpg Schiele, Egon https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145061820-CIADA9XCXDPWC6SIRB81/Schiele_Preacher_9a76afe13.jpg Schiele, Egon https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151587851-JAM6A7AHA0QT21LYGIPI/Egon_Schiele+Landscape+Frame+2.jpg Schiele, Egon https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151587638-T9J9Z5IUIAOO5HA6QOX7/Egon_Schiele+Landscape+Frame.jpg Schiele, Egon https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151591775-T4THGT5ZLVWPMVQSQ4HL/Egon_Schiele-Ausstellung-8+2+2.jpg Schiele, Egon https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151592392-XJ2IJK9WXIXERAGDSXE4/Egon_Schiele-Ausstellung-8+2.jpg Schiele, Egon https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151596415-I4S9UOOAD6XZX8ASIC82/Egon_Schiele-Ausstellung-8+vert.jpg Schiele, Egon https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151596281-BU9WVZCU8LK0VYG3BMTZ/Egon_Schiele-Ausstellung-8.jpg Schiele, Egon https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151598755-K5K2Z52NHGMYYWC4L687/Egon_Schiele-Ausstellung.jpg Schiele, Egon https://www.doriangallery.com/pablo-ruiz-picasso daily 0.75 2021-08-26 https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629449591134-Y3RGQBZHSLAIQDE921F5/Picasso_Framedx.jpg Picasso, Pablo Ruiz - after Picasso: Cat and Bird Fighting Spanish Modernist Portrait Drawing after Pablo Ruiz Picasso (1881-1973) Cat and Bird Fighting Fine modernist drawing in black ink after Picasso, of a cat and bird fighting. Description: Sheet measurements 41 x 29.5 cm, (approx 16" x 12") on cream art paper, no watermark. Frame not included. Sold unframed. Condition: Excellent. As pictured, refer to images, generally great condition. Even toning from some aging of paper. Stamped 'Galerie Mathias Fels' rear. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. About: Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art.Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles.Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments and became one of the best-known figures in 20th-century art. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629449591134-Y3RGQBZHSLAIQDE921F5/Picasso_Framedx.jpg Picasso, Pablo Ruiz - after Picasso: Cat and Bird Fighting Spanish Modernist Portrait Drawing after Pablo Ruiz Picasso (1881-1973) Cat and Bird Fighting Fine modernist drawing in black ink after Picasso, of a cat and bird fighting. Description: Sheet measurements 41 x 29.5 cm, (approx 16" x 12") on cream art paper, no watermark. Frame not included. Sold unframed. Condition: Excellent. As pictured, refer to images, generally great condition. Even toning from some aging of paper. Stamped 'Galerie Mathias Fels' rear. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. About: Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art.Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles.Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments and became one of the best-known figures in 20th-century art. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628144412365-4K54E0WFP86CDDY02KB6/Picasso_bull.jpg Picasso, Pablo Ruiz - Minotaur Spanish Modernist Mythological Drawing after Pablo Ruiz Picasso (1881-1973) SOLD Fine modernist drawing in pencil after Picasso of a mythological male minotaur figure. Bought in France ten years ago, part of a portfolio lot. Description: Sheet measurements 41 x 29.5 cm, (approx 16" x 12") on cream art paper, no watermark. Frame not included. Condition: Excellent. As pictured, refer to images, generally great condition. Area of toning at bottom right, presumably from from sunlight. Stamped 'Galerie Mathias Fels' front and rear. No provenance, sold as is, Sold unframed, About: Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles. Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments and became one of the best-known figures in 20th-century art. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628144411930-36OQGEV9QNFMI82FRPCM/Picasso_mino_dit.jpg Picasso, Pablo Ruiz https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142418876-LAZNP3K88OBIRA7YRKO0/Picasso_Scan_Fr.jpg Picasso, Pablo Ruiz https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142419365-UXHZC7OIQD21NK0U8G2G/Picasso_Scan_+19_FR.jpg Picasso, Pablo Ruiz https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628142387108-N5VUXE3MH6F3T2JC80RR/Picasso+Mino+Framed.jpg Picasso, Pablo Ruiz https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628144413548-8W4E23XBKU9FCK7GGQJU/Picasso+Dancers.jpg Picasso, Pablo Ruiz - Dancers, after Picasso SOLD Fine modernist drawing in pencil after Picasso of a dancing female figure. Bought in France ten years ago, part of a portfolio lot. Description: Sheet measurements 29.5 x 41 cm, (approx 12" x 16") on cream art paper, no watermark. Frame not included. Condition: Excellent. As pictured, refer to images, generally great condition. Area of toning at bottom right, presumably from from sunlight. Stamped 'Galerie Mathias Fels' front and rear. No provenance, sold as is, Sold unframed, About: Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles. Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments and became one of the best-known figures in 20th-century art. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1629449590676-6CBQ5JQA6QZRG89P9S2Y/Picasso+lady.jpg Picasso, Pablo Ruiz Spanish Modernist Portrait Drawing after Pablo Ruiz Picasso (1881-1973) Female Portrait Fine modernist drawing in sepia ink after Picasso, of an charmingly abstract female figure. Description: Sheet measurements 41 x 29.5 cm, (approx 16" x 12") on cream art paper, no watermark. Frame not included. Sold unframed. Condition: Excellent. As pictured, refer to images, generally great condition. Even toning from some aging of paper. Stamped 'Galerie Mathias Fels' rear. Bought in France ten years ago, part of a portfolio lot. No provenance, sold as is. About: Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles. Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments and became one of the best-known figures in 20th-century art. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145215481-0LU4R3AH77XPOC9PBP8E/Picasso_cubist.jpg Picasso, Pablo Ruiz - Picasso . SOLD https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145216694-D46A5SV1RK5Y9SKFELIR/Picasso_14.jpg Picasso, Pablo Ruiz - Lovers Spanish Modernist Mythological Drawing after Pablo Ruiz Picasso (1881-1973) SOLD Fine modernist drawing in pencil after Picasso of an erotic scene of lovers. Bought in France ten years ago, part of a portfolio lot. Description: Sheet measurements 21 x 29.5 cm, (approx 8" x 12") on cream art paper, no watermark. Frame not included. Condition: Excellent. As pictured, refer to images, generally great condition. Stamped 'Galerie Mathias Fels' on rear. No provenance, sold as is, Sold unframed, About: Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles. Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments and became one of the best-known figures in 20th-century art. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152014773-OJQ85KQ6EGAGRGO1RXVE/picasso+02.jpg Picasso, Pablo Ruiz https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152014740-7K5LUMVX6QEEUPO4PL4G/picasso+03.jpg Picasso, Pablo Ruiz - Ballets Russes costume design, copy after Picasso. SOLD Fine modernist line drawing of a modernist costume design in ink pencil and gouache on laid paper, copy after Pablo Picasso of a male dancer figure dated 1917. Bought in France ten years ago, part of a portfolio lot. Description: Sheet measurements 29.5 x 21 cm, (12 x 8) art paper, stamped 'Galerie Mathias Fels PARIS' no watermark. Would fit a standard A4 matt/mount window. Condition: Excellent. As pictured, refer to images, generally great condition. Stamped 'Galerie Mathias Fels' No provenance, sold as is, Sold unframed, About: Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian airforces during the Spanish Civil War. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles. Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments and became one of the best-known figures in 20th-century art. https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628152229485-JERMMX74JNE1M24G95RM/a003228223-001+framed.jpg Picasso, Pablo Ruiz https://www.doriangallery.com/konstantin-somov daily 0.75 2021-08-16 https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628221225395-6QQ7EI2KX3V62XN6DTY6/s-l1600.jpg Somov, Konstantin https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628221225395-6QQ7EI2KX3V62XN6DTY6/s-l1600.jpg Somov, Konstantin https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145746097-8GAZLICN60VZ16BX3FK7/Somov_pavlova_.jpg Somov, Konstantin - after Konstantin Somov, Ballet Russes, Russian Ballet Costume Design Russian Ballet Costume Design for Anna Pavlova after Konstantin Somov SOLD Title: Harlequin Costume Design for Anna Pavlova. Artist: after Konstantin Somov (1869-1939) Medium: Gouache and pencil on paper. Measurements: 42 x 29.5 cm, (16.6 x 12) thick art paper no watermark. Frame: Unframed Inscription: illegible/none. Description: This work depicts a design for a ballet costume for Anna Pavlova. Appears to be painted after Russian artist Konstantin Somov. We believe this to be a later twentieth-century version. Condition: Excellent. Some browning and edge-toning. Biography: Konstantin Andreyevich Somov (Russian: Константин Андреевич Сомов, November 30, 1869 – May 6, 1939) was a Russian artist associated with the Mir iskusstva. Born into a family of a major art historian and Hermitage Museum curator Andrey Ivanovich Somov, he became interested in 18th-century art and music at an early age. Somov studied at the Imperial Academy of Arts under Ilya Repin from 1888 to 1897. While at the Academy, he befriended Alexandre Benois, who would introduce him to Sergei Diaghilev and Léon Bakst. When the three founded the World of Art, Somov liberally contributed to its periodicals. Somov was homosexual, like many of the World of Art members. Inspired by Watteau and Fragonard, he preferred to work with watercolours and gouache. For three years he worked upon his masterpiece, Lady in Blue, painted in the manner of 18th-century portraitists. During the 1910s, Somov executed a number of rococo harlequin scenes and illustrations to the poems by Alexander Blok. Many of his works were exhibited abroad, especially in Germany, where the first monograph on him was published in 1909. Following the Russian Revolution, he emigrated to the United States, but found the country "absolutely alien to his art" and moved to Paris. He was buried at the Sainte-Geneviève-des-Bois Cemetery. On June 14, 2007, Somov's landscape "The Rainbow" (1927) was sold at Christie's for US$7.33 million, a record for a work at an auction of Russian art. –Wikipedia https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628143705956-GK9QN44NA39VCS2K0GHK/%24_57-7.jpg Somov, Konstantin https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628151538103-5VA9XUY3D6EH76HCHBGF/IMG_9171.jpg Somov, Konstantin https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628221224461-LG06OBI489JU43Y1EJX2/s-l16002.jpeg Somov, Konstantin https://www.doriangallery.com/david-hockney daily 0.75 2021-08-06 https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145511480-1J3K7ZPXOOMHOCFFUO2S/DHockney_framed_07.jpg Hockney, David https://images.squarespace-cdn.com/content/v1/60d3c1ff85a92556a37decca/1628145513535-0PZR64HMXY75SDDCXDGH/DHockney_framed_02.jpg Hockney, David 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